Studio Artists
Daniel Pryde-Jarman - Potemkin, Wood, plywood, paint, render, scrim, varnish, wax, 3.25m x 1.86m x 62cm. Exhibited Sidney Nolan Trust, 2021
Dr Daniel Pryde-Jarman
Daniel Pryde-Jarman is an artist and curator whose research interests include institutional critique, the politics of display, and forms of self-organised artist-led culture.
Living Books : Experiments in the Posthumanities
Dr Janneke Adema
In her research she explores the future of scholarly communications and experimental forms of knowledge production, where her work incorporates processual and performative publishing, radical open access, post-publishing, scholarly poethics, media studies, book history, cultural studies, and critical theory.
George, Acrylic, Charcoal, Wax Crayon on Canvas.W27cm.H.35cm D.5cm.2019
Ashley Spindler
Spindler is the inventor of Existential Glam, his work is constantly in flux, be it painting, installation, music, performance - the notion of parameters is ignored.
Bailo from the Portraits of Coventry Project series of paintings
Andy Farr
Andy is an award-winning artist with a strong interest in mental health and well-being. He is a member of ArtCan a non-profit arts organisation that supports artists.
His most recent project was working with the Institute of Mental Health to create a series of paintings based on people who are recovering from Post-Traumatic Stress. His focus is toward narratives and metaphors that show how people can grow and recover as a result of their experiences.
Laura Dean
Duncan Whitely - film still from Phoenix City 2021, a commission for Coventry Biennial 2021 HYPER-POSSIBLE.
Duncan Whitley
Duncan Whitley is an artist who works mainly with sound and the moving-image. His practice synthesizes the languages of cinema, documentary and spatial sound art. He has presented site-specific projects, audiovisual works, installations and live multi-channel sound works in the UK, Europe and South America.
Patricia Joy Chamberlain
Sam Kelly
Sam Kelly is fascinated by the paths and patterns formed as material loops between history and transhistoricity. He hopes that particular materials might be worked to represent a strange map of their own idea.